Thursday, May 8, 2008

There's Nobody to Dance With

TP asks a provocative question: Who Do You Like to Dance With?, based on the theory that advanced dancers can enjoy a dance with ANYONE.

In his post he disagrees with this notion, citing all the many advanced dancers who prefer to sit most of the night and only get up to dance with a very select handful of partners.

Speaking only of "advanced" dancers, I would argue that this is certainly true from some people, but not all people. There are many "advanced" dancers who enjoy dancing with many partners. I think it's a matter of taste, and also a matter of personal perspective. But if you are out every night, every week, all year, then I would probably agree that you'd want some sort of "guarantee" of fun each time you got out on the dance floor.

On the other hand, depending on our level of expectation, it is possible to have fun with people with whom we would not normally dance.

It has always been my philosophy that the connection and the bliss starts from ourselves. We create the possibility. My intention is ALWAYS "this is going to be fun". But to have this mindset, it requires accepting some degree of risk, that accepting a dance with an unknown entity may be downright unpleasant. For me, this is a risk I would gladly take: if it is truly that awful, I will end the partnership after one dance. And I learned long ago to let it go. I have not had one bad dance ruin my night in many, many years.

There is also the issue of defining "enjoyment". There are partners with whom I have a blast because they are fun people, and not necessarily great dancers. There are advanced dancers I just cannot connect to because it's all about "the dance" and not about "us". And then there is that gasp-inducing, hallucinogenic connection which only comes around once every few years. And usually with someone just passing through, who lives on the opposite side of the planet.

If I were to only dance with those who provide me with that sort connection, I would also probably sit most of every night I went dancing. But I prefer to expand my options rather than limit them, because the serendipity of discovering a wonderful connection with a complete unknown adds even more to that connection. At my last milonga, I danced with two people I had never seen before, one of them a great deal shorter than I. The first was someone I'd watched on the floor and knew he was going to be fun - and he was divine. The latter suddenly appeared before me towards the end of the night, and since I'd had a particularly great night, felt the odds were in my favor. We then had three terrific tandas of playful, musical, and rhythmic dancing.

In the end I think the answer to "who do you like to dance with" depends on that definition. For me, enjoyment does not require that "connection". I can enjoy a plain brownie without nuts or frosting for what it is. If we set out to dance with only "the best", with the most stupendous connection, then we are certain to have many less dances. And the more selective we get about what we "enjoy", the greater the probability that we feel "there is nobody to dance with".

11 comments:

tangobaby said...

"We create the possibility."

Johanna, that is so true. I really try to keep that in mind, that you never know what will happen with someone unless you say "Yes, I'd love to dance with you."

What I find more and more that I don't dance regularly is that it's harder to create that possibility because I'm not out dancing five nights a week anymore. Not because I'm not willing to take a chance on someone, but because someone's not taking a chance on me.

I'm glad you had those wonderful tandas. It made me smile to read about them.

Johanna said...

Yes TB, we create the reality, the possibility, etc.

I'm having a very interesting dialogue with TP about this matter. While not every tanda is soul-stirring, I definitely "enjoy" dancing with a lot of people, for a lot of reasons - some just because of their own enormous joy.

So either my criteria is far less stringent or I just have a wider definition of "enjoyment" when it comes to dancing Tango.

I do know that no matter what, I experience that sublime "surrender" because that's the only way I can follow :-)

hey-cook said...

Johanna, your posting struck such a chord with me.

As I learned to dance and became more skilled, I realized I needed, no, wanted to find a way to enjoy any dance that came my way. I found a way that worked -- to look for the good in every dance.

It is a fact that everyone does at least one thing well, in life as well as in dance. To look for, find, cherish and celebrate that one thing makes every dance (well, almost every one) enjoyable.

I've recently returned to Tango after an absence of three years. As I regain my skills, I hope that all my partners will find the same generosity of spirit that I gave for so many years.

Carole in San Francisco

Alex said...

Hi Johanna,

Ever so slightly off topic...It's interesting that you bring up "the hallucinogenic connection". I was just pondering this concept this morning. Pondering and wondering. I'll let it stew for a while and see what comes out the other side.

Johanna said...

Hi Carol, thanks for visiting, and welcome back to Tango!

As TPs post (which inspired this one) mentions, for some people it is enough to sit all night for the right moment, the right music, the right person. And be satisfied with just that one tanda. For others, it's a marathon of sorts, to never sit down once all night. My feeling is that if it makes you happy and you enjoy it your way, then who's to say you're wrong.

The old adage of the only person you can change is yourself certainly applies to Tango as well. I have no doubt that if you continue to be as generous towards your partners as you used to be, you'll be in great demand again. I too focus on the best in each partner. Some are incredibly musical, some are astonishingly rhythmic, others are very creative, a few just have a great sense of humor and fun.

Alex, great minds think alike :-)

David said...

Yes, I agree, the connection and bliss definitely starts from ourselves. And since my attitude shifted a couple of years ago, I've not had a bad evening.

Even the few dances that started off "bad" turned around to end on a good note. Last night is a perfect example. An energetic vals tanda came on near the end of the milonga and I asked someone who I knew was new to tango, but who had danced a lot of swing and salsa. Straight away I felt a 7 stone weight hanging off my neck! A few changes of posture and intention to stop us knocking knees together and by the end of the vals tanda the dance was starting to work fairly well. The last three tracks were announced starting with two fast non-tango tracks which sort of worked... Then the last track was a very slow one, so I slowed right down and just let my partner do what she wanted only moving to allow her to complete her movements and to take up the free space in front of me in the line of dance. It was wonderful to become passive and just listen to what she heard in the music. Big smiles at the end meant a lovely finish to the evening.

The only problem with tango is that there are too many people to dance with! And too many good experiences to enjoy. A lovely problem to have:-)

Johanna said...

Not a bad evening at all, David. In fact it sounds like a perfect Tango evening - by my standards anyway :-)

A little perfection, a little surprise, and the enormous satisfaction of finding a way to connect.

La Nuit Blanche said...

johanna,

i can't agree with you more. :-)

i think it's funny that when i talk about my experiences and dreams of how i want to shape my tango, and someone disagrees with me, they always tell me that i "will think differently when i come back from buenos aires", lol.

it seems to me, that the desire to look for the good in our encounters with other people, especially in tango, and the shift in perspective to keep us remembering that we are dancing with people, and dancing with people, is pretty much universal.

actually, all this sounds very "buenos aires" than not. isn't that what people rave about when they come back? that the people hold each other differently over there, that one feels like a woman, and feels like a man, that over there, it's not about the fancy steps and treating your partner like a technical practice broom, but the real warm exchange between human beings?

and in human exchange and tango, perfect technique is nice, but definitely secondary. and i am glad to hear it exists here in the states, too -- well, at least in southern cali. ;-)

love,
nuit.

Johanna said...

Nuit, something happens to us between that first embrace that grabs our heart and the pursuit of having more of it. While basic technique is essential, we enter this distracting hall of mirrors about "technique" and "style" and "adornments" without realizing that the more we focus on each of these things, the further from the heart we get.

Some of the most exalted older "milongueros" in BA never took a class. It is their heart and passion which we watch and which inspires us, not perfect feet.

Every time I've been to BA I am complimented on my heart and embrace, above all else. They cannot believe I'm a gringa :-)

Limerick Tango said...

A sister post, Of bulls; young and old

Johanna said...

Glad I could inspire, Limerick.

Mooooo....